Character based story telling
A guest speaker took us through character based story telling
The class gathered in the auditorium
Then we watched the movie The Searchers.
When it finished we were all taken through a dissection of the movies structure.
Don’t think I did very well with the dissection.
Honestly, I was pretty much drifting off watching this flick.
It was too slow and the acting was pretty melodramatic.
It was pretty hard just keeping interest up to the point where I could remember turning points during it’s playing and I pretty much flushed it out of my brain as soon as it was finished.
Should have taken notes while it was playing. Would have at least passed the time.
I get that it has clearly defined acts and goals, but after decades of evolution of film, I think there must be a point where hoary old chestnuts are laid to rest. There must have been a film from the last ten/twenty years that could serve as just as good an example?
Weirdly, I came out of the viewing bitching about how much I dislike Westerns and yet I’ve just spent two weeks riveted by Deadwood, and Star Wars is just a re-tooled Western.
Maybe it’s the dust I don’t like?
Notes from Character based story telling
Must create empathy with lead character
How do we create empathy?
• Victim of something
• Likeable
• Character in jeopardy
• Funny
• Powerful
Clearly defined endpoint and a high stakes goal are required.
The four great goals…
• To win
• To escape
• To stop something happening
• To retrieve something
Structure
Clearly defined end and timescale
• Set up
• Opportunity – set initial goal
• New situation
• The plane- visible end goal set
• Progress- obstacles accumulating
• Midpoint- hero is utterly committed with a point of no return
• Complication
• Major set back- all is lost
• The final push
• The climax, goal is achieved, successful or not, we must see protagonists new life
• Dénouement- new life being led (often very short)
Inciting incident must mirror climax but climax must be greater.
The class gathered in the auditorium
Then we watched the movie The Searchers.
When it finished we were all taken through a dissection of the movies structure.
Don’t think I did very well with the dissection.
Honestly, I was pretty much drifting off watching this flick.
It was too slow and the acting was pretty melodramatic.
It was pretty hard just keeping interest up to the point where I could remember turning points during it’s playing and I pretty much flushed it out of my brain as soon as it was finished.
Should have taken notes while it was playing. Would have at least passed the time.
I get that it has clearly defined acts and goals, but after decades of evolution of film, I think there must be a point where hoary old chestnuts are laid to rest. There must have been a film from the last ten/twenty years that could serve as just as good an example?
Weirdly, I came out of the viewing bitching about how much I dislike Westerns and yet I’ve just spent two weeks riveted by Deadwood, and Star Wars is just a re-tooled Western.
Maybe it’s the dust I don’t like?
Notes from Character based story telling
Must create empathy with lead character
How do we create empathy?
• Victim of something
• Likeable
• Character in jeopardy
• Funny
• Powerful
Clearly defined endpoint and a high stakes goal are required.
The four great goals…
• To win
• To escape
• To stop something happening
• To retrieve something
Structure
Clearly defined end and timescale
• Set up
• Opportunity – set initial goal
• New situation
• The plane- visible end goal set
• Progress- obstacles accumulating
• Midpoint- hero is utterly committed with a point of no return
• Complication
• Major set back- all is lost
• The final push
• The climax, goal is achieved, successful or not, we must see protagonists new life
• Dénouement- new life being led (often very short)
Inciting incident must mirror climax but climax must be greater.
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